Jun

27

The Soundtrack Series – The 70’s The Soundtrack Series – The 70’s

with Ellen Foley, Kevin R. Free, Alexis Sottile & Matt Wise

Thu June 27th, 2013

8:00PM

The Gallery

Minimum Age: 21+

Doors Open: 7:00PM

Show Time: 8:00PM

Event Ticket: $5

Day of Show: $8

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free for members
event description event description

featuring…
Ellen Foley
Kevin R. Free
Alexis Sottile
Matt Wise
 
This is a general admission event in The Gallery at LPR.

the artists the artists

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The Soundtrack Series – The 70’s

Stories about songs–the soundtrack to our lives. Dana Rossi hosts this monthly dose of music inspired nostalgia where guest writers and performers tell the hilarious or heart wrenching stories and memories they forever tie to certain songs. The Soundtrack Series has been called “the best rock and roll storytelling event in New York” by Flavorpill, and has been featured in the New York Times, BUST, NY1, “Above and Beyond” in the New Yorker, a Critic’s Pick in Time Out New York, and included among the “Best Events and Things to Do in NYC” by CBS News New York.
 

www.soundtrackseries.com
Soundtrack Series on Twitter

Ellen Foley

Kevin R. Free

Kevin R. Free is a writer/performer whose work has been showcased on the Moth Mainstage (“Heart of Darkness,” 2012), Dana Rossi’s The Soundtrack Series, Kathleen Warnock’s Drunken! Careening! Writers! (2012). His full-length plays are Face Value (Henry Street Settlement Playwright’s Project Grant, 2000; Mill Mountain Theatre New Play Festival Finalist, 2003); (Not) Just a Day Like Any Other (written & performed with Christopher Borg, Jeffrey Cranor, and Eevin Hartsough; recipient, 2009 NY IT Award for Outstanding Ensemble); and A Raisin in the Salad: Black Plays for White People, and You Are in An Open Field (written & performed with Eevin Hartsough, Marta Rainer, Carl Riehl, and Adam Smith). His ten-minute plays include …in which Bishop Eddie Long loses a battle with his demons… (Sticky at the Bowery Poetry Club, JACK) and The Crisis of the Negro Intellectual (The Fire This Time Festival), and Turn This Motha Out (with Prayer) (48 Hours in Harlem, inspired by Tyler Perry’s “Diary of a Mad Black Woman”). He is an alumnus of the New York Neo-Futurists, with whom he wrote and performed regularly in Too Much Light Makes The Baby Go Blind (30 Plays in 60 Minutes) between 2007 and 2011. His work has been published by Commonplace Books (“What it Means To Be A Grown Up: The Complete and Definitive Answer”) and at www.indietheaternow.com. In 2010, He was named one of NYTheatre.com’s 15 people of the year, because of his “outstanding, noteworthy contributions to the New York theatre scene,” and he is now a Fellow of The New Black Fest.

 
Kevin R. Free Official site

Alexis Sottile

Alexis Sottile is a writer, performer, and New York Yankees fan. As an actress at Incubator Arts Space, often avant-gardely playing “herself,” she’s gained rave reviews in the New York Times and Backstage that she licks in times of trouble. Her love poems, political screeds and reviews have appeared in the Village Voice and Time Out NY, among other spots, and her comic book writing has appeared in the anthology I Saw You: Missed Connections Comics (Three Rivers Press) while her authored comic Vs., for SMITH magazine, was nominated for an Eisner. Her heart is in the shape of Staten Island. Learn more at Alexis Sottile on Tumblr.

Matt Wise

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