Apr

16

The New York New Music Ensemble: music of Chinary Ung (an event within the Season of Cambodia Festival) The New York New Music Ensemble: music of Chinary Ung (an event within the Season of Cambodia Festival)

Tue April 16th, 2013

7:30PM

Main Space

Minimum Age: All Ages

Doors Open: 6:30PM

Show Time: 7:30PM

Event Ticket: $15

Day of Show: $20

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free for members
event description event description

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TABLE SEATING POLICY
Table seating for all seated shows is reserved exclusively for ticket holders who purchase “Table Seating” tickets. By purchasing a “Table Seating” ticket you agree to also purchase a minimum of two food and/or beverage items per person. Table seating is first come, first seated. Please arrive early for the best choice of available seats. Seating begins when doors open. Tables are communal so you may be seated with other patrons. We do not take table reservations.
 
A standing room area is available by the bar for all guests who purchase “Standing Room” tickets. Food and beverage can be purchased at the bar but there is no minimum purchase required in this area.
 
All tickets sales are final. No refund or credits.
 
This event will be streamed live online through LPR’s streaming channel, beginning at 7:30pm.

the artists the artists

1

The New York New Music Ensemble: music of Chinary Ung (an event within the Season of Cambodia Festival)

Since 1976, the New York New Music Ensemble has commissioned, performed and recorded the important and upcoming composers of our time. They have in fact been the means by which many of these have become more known and appreciated. NYNME has been recognized and supported by all the significant American foundations, including the Jerome Foundation, the Fromm Foundation at Harvard, the Mary Flagler Cary Foundation, the Mellon Foundation, the Koussevitzky Foundation, the NEA and NYSCA, among others. They have performed innumerable college residencies (Long Beach, UW Madison, Univ. of Pittsburgh, etc.), appeared at major festivals (Ravinia, Santa Fe, June in Buffalo, Pacific Rim, The Thailand International Composers Festival, etc.), and have recorded a huge discography of important chamber works. They have traveled to Europe, Asia, and South America to perform, teach and record, and have branched out into theatre music (instrumentalists doubling as actors and singers) and adventuresome electronic, interactive new technologies.

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