About This Event
Minimum Age:All Ages
Doors Open:6:30 PM
Show Time:7:30 PM
The work of American composer David T. Little does not shy away from difficult topics. Whether it’s in his operas (a recent commission came from the Metropolitan Opera’s MET/LCT new works program) or with his Orwell-inspired ensemble Newspeak, Little uses the juxtaposition of blunt force and subtle textures to explore themes of power, truth, corruption, and desperation.
His new recording Haunt of Last Nightfall (released by New Amsterdam Records, Feb. 28) is no different. Performed and commissioned by acclaimed ensemble Third Coast Percussion, the piece looks to a tragic moment in El Salvadoran history, the massacre at El Mozote, El Salvador in December 1981.
Of the piece, Little says, “I think a lot about ghosts…of things that remain behind as the fleeting evidence of what once was. Since reading about El Mozote, I have been completely unable to get it out of my mind: how this village, innocent by virtually every account, was wiped out. Caught in the crossfire of a stupid ideological battle, its people now ghosts. What we know shapes us, and whether I like it or not, I now know this.”
Copies of the album will be available for sale at this performance.
**$5 pre-release one-night-only album sale for all ticket-holders will be available**
TABLE SEATING POLICY
Table seating for all seated shows is reserved exclusively for ticket holders who purchase “Table Seating” tickets. By purchasing a “Table Seating” ticket you agree to also purchase a minimum of two food and/or beverage items per person. Table seating is first come, first seated. Please arrive early for the best choice of available seats. Seating begins when doors open. Tables are communal so you may be seated with other patrons. We do not take table reservations.
A standing room area is available by the bar for all guests who purchase “Standing Room” tickets. Food and beverage can be purchased at the bar but there is no minimum purchase required in this area.
All tickets sales are final. No refund or credits.
Founded in 2005, Third Coast Percussion has performed hundreds of concerts across the country, presents an annual concert season at home in Chicago, teaches musicians of all ages and experience levels, and has commissioned dozens of new works by composers including David T. Little, Marcos Balter, Ted Hearne, and Augusta Read Thomas. Third Coast Percussion is the Ensemble-in-Residence at the University of Notre Dame.
Photo credit: Saverio Truglia
Taking their cues from the diversity of the city around them, the artists of TRANSIT seek to create bridges between and among the various schools and styles of music being written and performed today, while embracing innovative projects that are relevant to contemporary culture. Their goal is not to achieve an international style or to promote a particular “sound.” Rather, they champion experimental music from a wide range of influences with the conviction that the music of today is inherently meaningful to audiences and vital to social progress. Paired with superior artistry, shrewd programming, and radically open ears, this determination keeps TRANSIT firmly rooted at the cutting edge of new music.