After cutting his teeth by making music on various archaic computers and programs in his early years, Nosaj Thing is now, without a doubt, among L.A.'s finest musical modulators. His electronic soundscapes and wild beat tectonics play like vignettes that affect the listener's mind as deeply as he hits their soul. Nosaj Thing creates nothing less than the sound mastery of beat driven, experimental electronics from a gifted noise constructor.

His debut album Drift was released by Alpha Pup in June 2009 to unanimous global acclaim. Pitchfork awarded an excellent 7.9 rating, calling the album "gorgeously haunted... sonic Easter Eggs for a thousand listens." The album peaked at 5 on the iTunes Electronic chart, and went all the way to 1 on Bleep and Boomkat. The success of Drift led to Nosaj Thing being featured in magazines such as Spin, Fader, XLR8R, The New Yorker, Nylon and URB. He has received regular airplay on BBC Radio 1 and Los Angeles' KCRW, while his engaging live set has made him a staple of the worldwide underground touring circuit.



Watch: Interview w/ Nosaj Thing

Born Alfred Weisberg-Roberts in Santa Monica, CA, producer/instrumentalist Daedelus wanted to be an inventor from an early age, a sentiment that led to him choosing an artistic moniker (in Greek mythology, Daedalus was known as an inventor, although Weisberg-Roberts also cites the character Stephan Dedalus in James Joyce's A Portrait of the Artist as a Young Man -- as well as the ship in the Japanese cartoon Robotech -- as equally valid reasons for his selection) when he began releasing his own work. Despite the fact that he was formally trained on double bass and bass clarinet, had studied jazz at USC, and could play additional instruments such as the guitar and accordion, Daedelus chose to go the electronica route, often incorporating samples from the '30s and '40s into his IDM and left-field hip-hop.

Though Daedelus' first single appeared 2001, it wasn't until the following year that his debut full-length, Invention, was released by the Plug Research label. Daedelus proved to be a prolific composer, and the following four years brought four new albums (released via Plug Research and Mush): 2003's Rethinking the Weather, 2004's Of Snowdonia, 2005's Exquisite Corpse, and 2006's Daedelus Denies the Day's Demise. He also worked on countless singles and side projects, including a stint as a producer for his Mush labelmates. The musician's engaging live set was finally made available for fans, albeit in limited numbers, with Live at Low End Theory, which was recorded during a July 2007 performance at Los Angeles' The Airliner and released in early 2008. Love to Make Music To followed in July.

Another product of the fertile cross-breeding programme in operation around LA right now, Jogger are a live electronics act combining psyche-folk leanings a la Animal Collective with the sort of beat science trimmings more associated with the many egos of Daedelus. ‘This Great Pressure’ is their debut full length release, displaying a well matured band ready to embrace the world with their glorious sound. Jogger’s aesthetic centres around a few well chosen sonic themes, from the Afrobeat debted guitars of ‘Napping Captain’ to ‘Master And Student’, to the electronic rhythm programming swinging from techno crescendos to glitched hiphop, and the cherry-on-the-cake of sublime vocal harmonies, giving the project a very indie-friendly edge. If the current wave of Brooklyn kids making African inspired psyche-pop were to move to California and hang out at the Low End Theory nights, it’s quite possible they’d sound just like this.