About This Event
Minimum Age:
All AgesDoors Open:
9:30 PMShow Time:
10:00 PMDescription:
Program::
- improvisations by Adam Gyorgy on his own themes, on pieces of Moritz Moszkowsky and Rimsky Korsakov
- F. Liszt: Rigoletto Paraphrase
- F. Liszt: La Campanella
- F. Liszt: Hungarian Rhapsody No. 2
*Free for APAP badgeholders*
This is a general admission event. Seating is limited and available on a first come, first seated basis. There is a two item minimum per person at all tables. Standing room is also available. We recommend arriving early.
LPR offers a membership program that guarantees members seating for future shows. Click here for more info.
- improvisations by Adam Gyorgy on his own themes, on pieces of Moritz Moszkowsky and Rimsky Korsakov
- F. Liszt: Rigoletto Paraphrase
- F. Liszt: La Campanella
- F. Liszt: Hungarian Rhapsody No. 2
*Free for APAP badgeholders*
This is a general admission event. Seating is limited and available on a first come, first seated basis. There is a two item minimum per person at all tables. Standing room is also available. We recommend arriving early.
LPR offers a membership program that guarantees members seating for future shows. Click here for more info.
Artists
Adam Gyorgy, piano
When Adam was a young boy, he drew everything upside down. His worried parents took him to a doctor. The doctor decided there was something wrong with him, but was unable to diagnose the problem. His father, who was determined to understand why his son was different, watched Adam carefully.
One day he sat opposite Adam and asked him to draw a house. As the house began to take shape, Adam's father realized that although his son was drawing the house upside-down, he was able to see it right side up. At that moment he realized that Adam was drawing everything in a way that best displayed his drawing to the viewer. This ability to see things from a different perspective was proof of Adam's natural inclination to perform, and revealed a thoughtful regard for how best to communicate with his audience. Today, Adam communicates through his music in the same way as he drew as a child; with the understanding that the audience, the listener, is an active participant in bringing the music to life.
One day he sat opposite Adam and asked him to draw a house. As the house began to take shape, Adam's father realized that although his son was drawing the house upside-down, he was able to see it right side up. At that moment he realized that Adam was drawing everything in a way that best displayed his drawing to the viewer. This ability to see things from a different perspective was proof of Adam's natural inclination to perform, and revealed a thoughtful regard for how best to communicate with his audience. Today, Adam communicates through his music in the same way as he drew as a child; with the understanding that the audience, the listener, is an active participant in bringing the music to life.
music of Liszt, Adam Gyorgy, and improvisations