(le) poisson rouge

This season, the Weill Music Institute collaborates with Francisco J. Núñez and Young People's Chorus of New York City to support the "Transient Glory" Symposium, an initiative focused on teacher training around newly commissioned choral works for children’s chorus.

For more than two decades, the Young People’s Chorus of New York City™ has provided children of all ethnic, religious, and economic backgrounds with a unique program of music education and choral performance, while maintaining a model of artistic excellence and harmony that enriches the community.

YPC was founded by YPC Artistic Director Francisco J. Núñez in 1988 and has become one of the most celebrated and influential children’s choruses in the world, performing around the globe, releasing acclaimed recordings from across the musical spectrum, and collaborating with many of the most highly regarded composers, performers, and organizations of our time. Through its celebrated Transient Glory® series of concerts, publications, and CDs, the chorus has commissioned well over 60 new works from composers that include Pulitzer Prize, Oscar, and MacArthur “genius” grant winners and regularly collaborates with such major artists and institutions as Carnegie Hall, The New York Pops, the Stephen Petronio Dance Company, the Kronos Quartet, and American Ballet Theatre, among many others.

The JACK Quartet electrifies audiences worldwide with "explosive virtuosity" (Boston Globe) and "viscerally exciting performances" (New York Times). David Patrick Stearns (Philadelphia Inquirer) proclaimed their performance as being "among the most stimulating new-music concerts of my experience," and NPR listed their performance as one of "The Best New York Alt-Classical Concerts Of 2010." TheWashington Post commented, "The string quartet may be a 250-year-old contraption, but young, brilliant groups like the JACK Quartet are keeping it thrillingly vital." Alex Ross (New Yorker) hailed their performance of Iannis Xenakis' complete string quartets as being "exceptional" and "beautifully harsh," and Mark Swed (Los Angeles Times) called their sold-out performances of Georg Friedrich Haas' String Quartet No. 3 In iij. Noct. "mind-blowingly good." The quartet's recording of Xenakis' complete string quartets appeared on "Best Of" lists from the Los Angeles Times, Boston Globe, New Yorker, NPR, and as "one of 2009's most impressive recordings" from Time Out New York.

JACK has performed to critical acclaim at the Muziekgebouw aan 't IJ (Netherlands), Festival Internacional Cervantino (Mexico), Donaueschinger Musiktage (Germany), Library of Congress, Miller Theatre, Morgan Library & Museum, and Kimmel Center with recent and upcoming performances at the Ultraschall Festival (Germany), Da Camera Society (Los Angeles), Monday Evening Concerts, Town Hall Seattle, Les Flâneries Musicales de Reims (France), Arcana Festival (Austria), Wigmore Hall (United Kingdom), and Strathmore Hall.

Comprising violinists Christopher Otto and Ari Streisfeld, violist John Pickford Richards, and cellist Kevin McFarland, JACK is focused on the commissioning and performance of new works, leading them to work closely with composers Helmut Lachenmann, György Kurtág, Matthias Pintscher, Georg Friedrich Haas, James Dillon, Toshio Hosokawa, Wolfgang Rihm, Elliott Sharp, Beat Furrer, Caleb Burhans, and Aaron Cassidy. Upcoming and recent premieres include works by Alan Hilario, Peter Ablinger, Gregory Spears, Elliott Sharp, Jason Eckardt, and Hannah Lash. The quartet also offers fresh interpretations of early music, including works by Don Carlo Gesualdo, Guillaume de Machaut, and Josquin des Prez.

JACK has led workshops with young composers at the University of Iowa, University of Wisconsin-Madison, Darmstadt Internationale Ferienkurse für Neue Musik (Germany), New York University, Columbia University, Carnegie Mellon University, Eastman School of Music, University at Buffalo, University of Illinois at Urbana-Champaign, Northwestern University, University of Huddersfield (United Kingdom), University of Washington, University of Victoria (Canada), and Manhattan School of Music. In addition to working with composers and performers, JACK seeks to broaden and diversify the potential audience for new music through educational presentations designed for a variety of ages, backgrounds, and levels of musical experience.

The members of the quartet met while attending the Eastman School of Music, and they have since studied with the Arditti Quartet, Kronos Quartet, Muir String Quartet, and members of the Ensemble Intercontemporain. JackQuartet.com

John Schaefer has hosted Soundcheck since the show’s inception in 2002. He has also hosted and produced WNYC’s radio series New Sounds since 1982 (“The No. 1 radio show for the Global Village” – Billboard) and the New Sounds Live concert series since 1986.

Schaefer has written extensively about music, including the book New Sounds: A Listener’s Guide to New Music (Harper & Row, NY, 1987; Virgin Books, London, 1990); The Cambridge Companion to Singing: World Music (Cambridge University Press, U.K., 2000); and the TV program Bravo Profile: Bobby McFerrin (Bravo Television, 2003). He was contributing editor for Spin and Ear magazines, and his liner notes appear on more than 100 recordings, ranging from “The Music of Cambodia” to recordings by Yo-Yo Ma and Terry Riley.

In 2003, Schaefer was honored with the American Music Center's prestigious Letter of Distinction for his "substantial contributions to advancing the field of contemporary American music in the United States and abroad." In May 2006, New York magazine cited Schaefer as one of "the people whose ideas, power, and sheer will are changing New York" in its Influentials issue. He began blogging for WNYC when accompanying the New York Philharmonic on its historic (and apparently very weird) trip to North Korea in 2008 and continues to blog daily for the Soundcheck page at wnyc.org.