$12
CD Relase Party for
Gutbucket's "Flock" w/
Gutbucket's "Flock" w/
Wed., February 23, 2011 / 6:00 PM
Audio / Video
Gallery
About This Event
Minimum Age:
18+Doors Open:
6:00 PMShow Time:
7:00 PMDescription:
This is a general admission, standing event.
Artists
Gutbucket
Destroying walls between art-rock, avant-squonk, and mathed-out prog, Gutbucket's through-composed charts enter a place of pure sound. The decade-old New York quartet is not only equally comfortable playing in front of 900 sweatily pogo-ing teenage skate-punks, a crowd of cosmic indie-psych freaks, or on an anarchist German art collective houseboat, but most importantly, their music fits right in. Called “stomprovisors” by the Village Voice, the band has spent the past 10 years injecting a shot of glorious spazmitude into the minimalist cool of the New York downtown scene.
The group attacks their music with the ferocity usually reserved for punk, and the humorous abstraction of art-rock, despite having earned their jazz bona fides. Though the band might seem rooted in the genre exploding of New York’s downtown (their 2001 debut, InsomniacsDream, was released on the Knitting Factory house imprint), their shift to louder sounds began with their controversially titled Dry Humping the American Dream (released in 2003 in Europe on the legendary Enja label and domestically in 2004 on Bang on a Can's acclaimed Cantaloupe label).
The group attacks their music with the ferocity usually reserved for punk, and the humorous abstraction of art-rock, despite having earned their jazz bona fides. Though the band might seem rooted in the genre exploding of New York’s downtown (their 2001 debut, InsomniacsDream, was released on the Knitting Factory house imprint), their shift to louder sounds began with their controversially titled Dry Humping the American Dream (released in 2003 in Europe on the legendary Enja label and domestically in 2004 on Bang on a Can's acclaimed Cantaloupe label).
Allison Miller
NYC-based drummer Allison Miller defies all boundaries bringing her individual sound to diverse types of music while preserving their stylistic authenticity. Allison goes from playing with legendary songwriting vocalists Ani DiFranco, Brandi Carlile and Natalie Merchant, to touring with avant-garde saxophonist Marty Ehrlich and legendary organist Doctor Lonnie Smith. She approaches each of these musical situations with her own stylistic identity and a creative, fresh and energetic approach. Allison was chosen as “Rising Star Drummer” in Downbeat’s 53rd Annual Critics Poll.
Raised in the Washington D.C. area, Miller began playing the drums at the age of ten, studying with Walter Salb, and was soon thereafter featured in Downbeat magazine's "Up and Coming" section in 1991. Five years later, after graduating from West Virginia University she moved to New York City to study with Michael Carvin and Lenny White and pursue what has became a fruitful career as a freelance drummer, composer, producer, and teacher. Miller’s talents have landed her gigs in the mainstream music world, with artists like Natalie Merchant, Ani DiFranco, and most recently, singer Brandi Carlile; and her jazz skills have been embraced by everyone from avant-garde saxophonist Marty Ehrlich to organ legend Dr. Lonnie Smith, with a wide range of leaders in between, including Steven Bernstein, Kenny Barron, Erik Friedlander, Mark Helias, Ray Drummond, Peter Bernstein, Sheila Jordan, George Garzone, Mike Stern, Rachel Z, Kevin Mahogany, Bruce Barth, Mark Soskin, and Harvie S.
Allison is currently celebrating the release of her second solo leader album, BOOM TIC BOOM (Foxhaven Records, March 2010). This album pays homage to and is inspired by all of the important women in Millers life. The album features pianist Myra Melford, violinist Jenny Scheinman, and bassist Todd Sickafoose. Together, they musically collaborate, creatively expounding on compositions written primarily by Miller and Melford.
Allison Miller’s BOOM TIC BOOM features Jamie Saft on piano, Jenny Scheinman on violin, Todd Sickafoose on bass, and Allison Miller on drums. They will be performing 2010,” follow
Together, these four longtime collaborators will intertwine and fuse their unique musical to take the audience right along with them, communicating and exploring through the emotional jazz Americana.
Photo Credit: Smith Banfield
Raised in the Washington D.C. area, Miller began playing the drums at the age of ten, studying with Walter Salb, and was soon thereafter featured in Downbeat magazine's "Up and Coming" section in 1991. Five years later, after graduating from West Virginia University she moved to New York City to study with Michael Carvin and Lenny White and pursue what has became a fruitful career as a freelance drummer, composer, producer, and teacher. Miller’s talents have landed her gigs in the mainstream music world, with artists like Natalie Merchant, Ani DiFranco, and most recently, singer Brandi Carlile; and her jazz skills have been embraced by everyone from avant-garde saxophonist Marty Ehrlich to organ legend Dr. Lonnie Smith, with a wide range of leaders in between, including Steven Bernstein, Kenny Barron, Erik Friedlander, Mark Helias, Ray Drummond, Peter Bernstein, Sheila Jordan, George Garzone, Mike Stern, Rachel Z, Kevin Mahogany, Bruce Barth, Mark Soskin, and Harvie S.
Allison is currently celebrating the release of her second solo leader album, BOOM TIC BOOM (Foxhaven Records, March 2010). This album pays homage to and is inspired by all of the important women in Millers life. The album features pianist Myra Melford, violinist Jenny Scheinman, and bassist Todd Sickafoose. Together, they musically collaborate, creatively expounding on compositions written primarily by Miller and Melford.
Allison Miller’s BOOM TIC BOOM features Jamie Saft on piano, Jenny Scheinman on violin, Todd Sickafoose on bass, and Allison Miller on drums. They will be performing 2010,” follow
Together, these four longtime collaborators will intertwine and fuse their unique musical to take the audience right along with them, communicating and exploring through the emotional jazz Americana.
Photo Credit: Smith Banfield