Vision Festival XV Presenting
Akron Xtended Family Featuring William Parker and Hamid Drake
,
William Parker's Southern Satellites
and
[the] slowest runner [in all the world]
Wed., June 30, 2010 / 7:00 PM
About This Event
Minimum Age:
18+Doors Open:
7:00 PMShow Time:
8:00 PMDescription:
This is a general admission, standing event.
$20 student and senior tickets are available at the door only.
$20 student and senior tickets are available at the door only.
Artists
Akron Xtended Family Featuring William Parker and Hamid Drake
Akron/Family is a folk-influenced experimental rock band that formed in 2002, and is currently based in New York.
Though each member of the band — Miles Seaton, Seth Olinsky, Dana Janssen and formerly Ryan Vanderhoof can be relegated to loosely defined roles (drummer, guitarist, bassist, vocalist), all of them in fact play several instruments and sing, as evidenced by their shows and recorded material. When playing live, the band makes prominent use of improvisation and vocal harmonies. On their self-titled debut record, field recordings of a creaking chair, thunderclaps and the white noise of a television find their way alongside psychedelic and electronic elements, guitars and a glockenspiel.
In addition to their solo debut in 2005, the band played behind Michael Gira on his Angels of Light project as well as splitting a full length CD with Angels of Light.
In 2006, the band released an EP, “Meek Warrior,” a collaboration with master drummer/hero Hamid Drake which contained both more traditional folk music such as the lovely “Gone Beyond” and a pair of throbbing electric guitar monsters in “The Rider (Dolphin Song)” and the epic “Blessing Force,” which ends with an exploration into free jazz.
Sometime between the completion of [2007 release] Love Is Simple and Akron/Family’s 2007 U.S. tour, Vanderhoof left Akron/Family to live in a Buddhist Dharma center in the Midwest.
The band has also released several tour EPs featuring demos and other recordings.
In May of 2009, the trio released Set ‘em Wild, Set ‘em Free. This album serves as a blend of the previous albums with more acoustic-folk songs like “Set ‘em Free,” to fusion freak-outs like “Gravelly Mountains of the Moon.”
Though each member of the band — Miles Seaton, Seth Olinsky, Dana Janssen and formerly Ryan Vanderhoof can be relegated to loosely defined roles (drummer, guitarist, bassist, vocalist), all of them in fact play several instruments and sing, as evidenced by their shows and recorded material. When playing live, the band makes prominent use of improvisation and vocal harmonies. On their self-titled debut record, field recordings of a creaking chair, thunderclaps and the white noise of a television find their way alongside psychedelic and electronic elements, guitars and a glockenspiel.
In addition to their solo debut in 2005, the band played behind Michael Gira on his Angels of Light project as well as splitting a full length CD with Angels of Light.
In 2006, the band released an EP, “Meek Warrior,” a collaboration with master drummer/hero Hamid Drake which contained both more traditional folk music such as the lovely “Gone Beyond” and a pair of throbbing electric guitar monsters in “The Rider (Dolphin Song)” and the epic “Blessing Force,” which ends with an exploration into free jazz.
Sometime between the completion of [2007 release] Love Is Simple and Akron/Family’s 2007 U.S. tour, Vanderhoof left Akron/Family to live in a Buddhist Dharma center in the Midwest.
The band has also released several tour EPs featuring demos and other recordings.
In May of 2009, the trio released Set ‘em Wild, Set ‘em Free. This album serves as a blend of the previous albums with more acoustic-folk songs like “Set ‘em Free,” to fusion freak-outs like “Gravelly Mountains of the Moon.”
William Parker's Southern Satellites
William Parker is a master musician, improviser, and composer. He plays the bass, shakuhachi, double reeds, tuba, donso ngoni and gembri. He was born in 1952 in the Bronx, New York. He studied bass with Richard Davis, Art Davis, Milt Hinton, Wilber Ware, and Jimmy Garrison. He entered the music scene in 1971 playing at Studio We, Studio Rivbea, Hilly’s on The Bowery and The Baby Grand, playing with many musicians on the avant-garde school Bill Dixon, Sunny Murray, Charles Tyler, Billy Higgins, Charles Brackeem, Alan Silva, Frank Wright, Frank Lowe, Rashid Ali, Donald Ayler, Don Cherry, Cecil Taylor, Jimmy Lyons, Milford Graves and with traditionalists like Walter Bishop, Sr. and Maxine Sullivan. Early projects with dancer and choreographer Patricia Nicholson created a huge repertoire of composed music for multiple ensembles ranging from solo works to big band projects. Parker played in the Cecil Taylor unit from 1980 through 1991. He also developed a strong relationship with the European Improvised Music scene playing with musicians such as Peter Kowald, Peter Brotzmann, Han Bennink, Tony Oxley, Derek Bailey, Louis Sclavis, and Louis Moholo. He began recording in 1994 and leading his own bands on a regular basis founding two ensembles, In Order To Survive, and The Little Huey Creative Music Orchestra. In 2001, Parker released O’Neal’s Porch, which marked a turn toward a more universal sound working with drummer Hamid Drake. The Raining on the Moon Quintet followed, adding vocalist Leena Conquest and the Quartet from O’Neal’s Porch. Most notable among many recent projects is the Inside Songs of Curtis Mayfield. He has taught at Bennington College, NYU, The New England Conservatory of Music, Cal Arts, New School University and Rotterdam Conservatory of Music. He has also taught music workshops throughout the world including Paris, Berlin and Tokyo and the Lower East Side. Parker is also a theorist and author of several books including the Sound Journal, Document Humanum, Music and the Shadow People and The Mayor of Punkville.
[the] slowest runner [in all the world]
The Slowest Runner In All The World is an instrumental post-baroque band housed in Brooklyn that combines strings and piano with a traditional rock setup and experimental sound manipulation techniques for a uniquely-embellished sound.