John Zorn-Dave Douglas-Brad Jones-Gerry Hemingway quartet
About
John Zorn (born September 2, 1953 in New York City) is an American avant-garde composer, arranger, record producer, saxophonist and multi-instrumentalist. Zorn's recorded output is prolific with hundreds of album credits as a performer, composer, or producer. His work has touched on a wide range of musical genres, often within a single composition, but he is best-known for his avant-garde, jazz, improvised and contemporary classical music. Zorn has led the punk jazz band Naked City, the klezmer-influenced quartet Masada and composed the associated 'Masada Songbooks', written concert music for classical ensembles, and produced music for film and documentary. Zorn has stated that "I've got an incredibly short attention span. My music is jam-packed with information that is changing very fast... All the various styles are organically connected to one another. I'm an additive person - the entire storehouse of my knowledge informs everything I do. People are so obsessed with the surface that they can't see the connections, but they are there."
After releasing albums on several independent US and European labels, Zorn signed with Elektra Nonesuch and attracted wide acclaim in 1985 when he released The Big Gundown with his interpretations of music composed by Ennio Morricone. This was followed by the album Spillane in 1987, and the first album by Naked City in 1989 which all attracted further worldwide attention. Zorn then recorded on the Japanese DIW label and curated the Avant subsidiary label before forming Tzadik in 1995, where he has been prolific, issuing several new recordings each year and releasing works by many other musicians.
Zorn established himself within the New York City downtown music movement in the early 1980s but has since composed and performed with a wide range of musicians working in diverse musical areas. By the early 1990s Zorn was working extensively in Japan, attracted by that culture's openness about borrowing and remixing ingredients from elsewhere, where he performed and recorded under the name Dekoboko Hajime, before returning to New York as a permanent base in the mid 1990's. Zorn has undertaken many tours of Europe, Asia, and the Middle East, often performing at festivals with varying ensembles to display his diverse output.
Two-time Grammy-nominated jazz musician Dave Douglas is arguably the most prolific and original trumpeter-composer of his generation. From his New York base, where he has lived since the mid 1980s, Mr. Douglas has continued to earn lavish national and international acclaim including prizes from such organizations as the New York Jazz Awards, Down Beat, JazzTimes, Jazziz, and the Italian Jazz Critics Society. His solo recording career began in 1993 with Parallel Worlds on Soul Note Records, and he has since released more than 30 recordings. In 2005, after seven critically acclaimed albums for Bluebird/RCA, Mr. Douglas launched his own record label, Greenleaf Music. The same year, he was honored with a Guggenheim Fellowship. On Greenleaf, Mr. Douglas has released albums with his long-standing quintet, the electronic sextet Keystone, and the mixed chamber ensemble Nomad. In 2009, he released Spirit Moves with his new brass quintet, Brass Ecstasy and his first big band recording, A Single Sky, a collaboration with Jim McNeely and Frankfurt Radio Bigband. This year brings a new collection of work by Keystone entitled, Spark of Being, a retelling of the Frankenstein myth in collaboration with award-winning filmmaker Bill Morrison.
Mr. Douglas is currently the artistic director of the Workshop in Jazz and Creative Music at The Banff Centre in Canada and the co-founder and director of the Festival of New Trumpet Music, which celebrates its eight anniversary in 2010. As a composer, Mr. Douglas has been commissioned by the Trisha Brown Dance Company, Birmingham Contemporary Music Group, Norddeutscher Rundfunk, Essen Philharmonie, Library of Congress, Stanford University, Walker Arts Center, and Turning Point Ensemble.
New York-born Brad Christopher Jones is a bassist, composer, and educator. He has recorded, performed, and toured around the world with a diverse array of artists that include Ornette Coleman, Elvis Costello, Elvin Jones, David Byrne, Muhal Richard Abrams, Sheryl Crow, Deborah Harry, Dave Douglas, Vernon Reid, John Zorn, Don Byron, Marc Ribot, and The Jazz Passengers. As a leader, Brad has recorded three CDs: Uncivilized Poise (Knitting Factory Records) with his band, Aka Alias; Pouring My Heart In (Senoj Music) with the Brad Jones Quartet, and the soon to be released follow-up to the first Aka Alias recording, The Embodiment.
Brad studied under the renowned jazz bassist Lisle Atkinson and classical bass under Lou Kosma of the Metropolitan Opera. He earned a Bachelor of Arts degree in education from Jersey City State College in 1986. He has been a teacher and band director in both the Waldwick and Teaneck, New Jersey school systems, as well as the Harlem School of the Arts, and workshops in Germany, France, and Italy. In addition to his Columbia teaching, he maintains an active schedule performing, recording, and composing music.
Gerry Hemingway has been making a living as a composer and performer solo and ensemble music since 1974. He has led numerous groups, including (since 1997) his quartet with Ellery Eskelin, Herb Robertson and Mark Helias as well collaborative groups with Mark Helias & Ray Anderson (BassDrumBone) celebrating its 30th year anniversary in 2007, Reggie Workman & Miya Masaoka (Brew), Georg Graewe & Ernst Reijseger (GRH trio), WHO trio with Swiss pianist Michel Wintsch and bassist Baenz Oester, his duo w/Thomas Lehn, and also w/John Butcher. Mr. Hemingway is a Guggenheim fellow and has received numerous commissions for chamber and orchestral work including "Terrains", a concerto for percussionist and orchestra commissioned by the Kansas City Symphony. He also completed a production of “Songs”, two year recording project for the the German label, between the lines. He is well known for his eleven years in the Anthony Braxton Quartet, and his many collaborations with some of the world’s most outstanding improvisers and composers including Evan Parker, Cecil Taylor, Mark Dresser, Anthony Davis, George Lewis, Derek Bailey, Leo Smith, Oliver Lake, Kenny Wheeler, Frank Gratkowski, John Cale, Marilyn Crispell, Michael Moore and many others.
After releasing albums on several independent US and European labels, Zorn signed with Elektra Nonesuch and attracted wide acclaim in 1985 when he released The Big Gundown with his interpretations of music composed by Ennio Morricone. This was followed by the album Spillane in 1987, and the first album by Naked City in 1989 which all attracted further worldwide attention. Zorn then recorded on the Japanese DIW label and curated the Avant subsidiary label before forming Tzadik in 1995, where he has been prolific, issuing several new recordings each year and releasing works by many other musicians.
Zorn established himself within the New York City downtown music movement in the early 1980s but has since composed and performed with a wide range of musicians working in diverse musical areas. By the early 1990s Zorn was working extensively in Japan, attracted by that culture's openness about borrowing and remixing ingredients from elsewhere, where he performed and recorded under the name Dekoboko Hajime, before returning to New York as a permanent base in the mid 1990's. Zorn has undertaken many tours of Europe, Asia, and the Middle East, often performing at festivals with varying ensembles to display his diverse output.
Two-time Grammy-nominated jazz musician Dave Douglas is arguably the most prolific and original trumpeter-composer of his generation. From his New York base, where he has lived since the mid 1980s, Mr. Douglas has continued to earn lavish national and international acclaim including prizes from such organizations as the New York Jazz Awards, Down Beat, JazzTimes, Jazziz, and the Italian Jazz Critics Society. His solo recording career began in 1993 with Parallel Worlds on Soul Note Records, and he has since released more than 30 recordings. In 2005, after seven critically acclaimed albums for Bluebird/RCA, Mr. Douglas launched his own record label, Greenleaf Music. The same year, he was honored with a Guggenheim Fellowship. On Greenleaf, Mr. Douglas has released albums with his long-standing quintet, the electronic sextet Keystone, and the mixed chamber ensemble Nomad. In 2009, he released Spirit Moves with his new brass quintet, Brass Ecstasy and his first big band recording, A Single Sky, a collaboration with Jim McNeely and Frankfurt Radio Bigband. This year brings a new collection of work by Keystone entitled, Spark of Being, a retelling of the Frankenstein myth in collaboration with award-winning filmmaker Bill Morrison.
Mr. Douglas is currently the artistic director of the Workshop in Jazz and Creative Music at The Banff Centre in Canada and the co-founder and director of the Festival of New Trumpet Music, which celebrates its eight anniversary in 2010. As a composer, Mr. Douglas has been commissioned by the Trisha Brown Dance Company, Birmingham Contemporary Music Group, Norddeutscher Rundfunk, Essen Philharmonie, Library of Congress, Stanford University, Walker Arts Center, and Turning Point Ensemble.
New York-born Brad Christopher Jones is a bassist, composer, and educator. He has recorded, performed, and toured around the world with a diverse array of artists that include Ornette Coleman, Elvis Costello, Elvin Jones, David Byrne, Muhal Richard Abrams, Sheryl Crow, Deborah Harry, Dave Douglas, Vernon Reid, John Zorn, Don Byron, Marc Ribot, and The Jazz Passengers. As a leader, Brad has recorded three CDs: Uncivilized Poise (Knitting Factory Records) with his band, Aka Alias; Pouring My Heart In (Senoj Music) with the Brad Jones Quartet, and the soon to be released follow-up to the first Aka Alias recording, The Embodiment.
Brad studied under the renowned jazz bassist Lisle Atkinson and classical bass under Lou Kosma of the Metropolitan Opera. He earned a Bachelor of Arts degree in education from Jersey City State College in 1986. He has been a teacher and band director in both the Waldwick and Teaneck, New Jersey school systems, as well as the Harlem School of the Arts, and workshops in Germany, France, and Italy. In addition to his Columbia teaching, he maintains an active schedule performing, recording, and composing music.
Gerry Hemingway has been making a living as a composer and performer solo and ensemble music since 1974. He has led numerous groups, including (since 1997) his quartet with Ellery Eskelin, Herb Robertson and Mark Helias as well collaborative groups with Mark Helias & Ray Anderson (BassDrumBone) celebrating its 30th year anniversary in 2007, Reggie Workman & Miya Masaoka (Brew), Georg Graewe & Ernst Reijseger (GRH trio), WHO trio with Swiss pianist Michel Wintsch and bassist Baenz Oester, his duo w/Thomas Lehn, and also w/John Butcher. Mr. Hemingway is a Guggenheim fellow and has received numerous commissions for chamber and orchestral work including "Terrains", a concerto for percussionist and orchestra commissioned by the Kansas City Symphony. He also completed a production of “Songs”, two year recording project for the the German label, between the lines. He is well known for his eleven years in the Anthony Braxton Quartet, and his many collaborations with some of the world’s most outstanding improvisers and composers including Evan Parker, Cecil Taylor, Mark Dresser, Anthony Davis, George Lewis, Derek Bailey, Leo Smith, Oliver Lake, Kenny Wheeler, Frank Gratkowski, John Cale, Marilyn Crispell, Michael Moore and many others.